In one of the many memorable moments of Ricky Gervais’s BBC television series The Office, troublemaker Tim encases Gareth’s stapler in Jell-O. Gareth is annoyed, and the viewer is amused, because both comprehend the act immediately: it is a prank.

Pranks are a type of dark humor that trace a razor’s edge between amusement and injury. The risks inherent to pranks contribute to our enjoyment of them.

This includes the risk of getting caught in the act, or the risk that the object of the prank might become hurt or insulted. And yet, this risk also gives pranks their social power. Because he risks blame, the prankster affirms his relationship to the victim.

The same is true when the victim chooses to laugh the prank off rather than to mope. If that victim chooses to retaliate later, the result is not spite but a playful type of social bonding.

Read the whole article online at Gamasutra

published March 18, 2008